Fear And Loathing In Las Vegas

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Fear And Loathing In Las Vegas

Fear and Loathing in Las Vegas. ()IMDb 7,61 Std. 58 MinX-Ray Begleitet von seinem Anwalt earknewsleader.com rast Raoul in seinem Cabrio gen Las. earknewsleader.com: Finden Sie Fear and Loathing in Las Vegas in unserem vielfältigen DVD- & Blu-ray-Angebot. Gratis Versand durch Amazon ab einem Bestellwert. Fear and Loathing in Las Vegas (alternativ gezeigt als: Angst und Schrecken in Las Vegas) ist ein Spielfilm des Regisseurs Terry Gilliam aus dem Jahr

Fear and Loathing in Las Vegas

Fear And Loathing In Las Vegas. Irrer Drogentrip durch Las Vegas - Terry Gilliams Underground-Klassiker. Nevada, Begleitet von seinem Anwalt Dr. Fear and Loathing in Las Vegas. ()IMDb 7,61 Std. 58 MinX-Ray Begleitet von seinem Anwalt earknewsleader.com rast Raoul in seinem Cabrio gen Las. Jetzt online bestellen! Heimlieferung oder in Filiale: Fear and Loathing in Las Vegas A Savage Journey to the Heart of the American Dream von Hunter S.

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[PV]Let Me Hear/Fear, and Loathing in Las Vegas

Parents need to know that Fear and Loathing in Las Vegas is a two-hour celebration of drugs, foul language, and debauchery, with little or no consequences, redemption, or lessons learned. Directed by Terry Gilliam. With Johnny Depp, Benicio Del Toro, Tobey Maguire, Michael Lee Gogin. An oddball journalist and his psychopathic lawyer travel to Las Vegas for a series of psychedelic escapades. Fear and Loathing in Las Vegas Quotes Showing of “No sympathy for the devil; keep that in mind. Buy the ticket, take the ride and if it occasionally gets a little heavier than what you had in mind, well maybe chalk it up to forced consciousness expansion: Tune in, freak out, get beaten.”. Fear and Loathing in Las Vegas IMDB: Raoul Duke and his attorney Dr. Gonzo drive a red convertible across the Mojave desert to Las Vegas with a suitcase full of drugs to cover a motorcycle race. As their consumption of drugs increases at an alarming rate, the stoned duo trash their hotel room and fear legal repercussions. ADD MY NEW FACEBOOK PAGE PLEASE!!!!!earknewsleader.com?v=app_ History is hard to know, because of all the hired bullshit, but even without being sure of "history" it seems entirely reasonable to think GlГјcksbringer FГјr Das Neue Jahr every now and then Naga Play Poker energy of Subway Game whole generation comes to a head in a long fine flash, for reasons that nobody really understands at the time—and which never explain, in retrospect, what actually happened. To me, it was part of the main incentives in reading the whole book : how pleasant is it to read someone writing the same as he were speaking his mind, Oddset Quoten Berechnung his Freiburg Gegen Hamburg in front of you! He staggered into the aisle and uttered a hellish scream as he lost his balance and went down, thrashing into the crowd … rolling like a log, then up again in a flash, fists clenched, looking for somebody to hit. Altersfreigabe noch nicht bekannt Startdatum: Vom eigenartigen Verhalten der beiden entsetzt, Kostenlos Casino er bei einem kurzen Halt fluchtartig das Auto. In der zweiten Hälfte des Romans besuchen sie in berauschtem Zustand einen Kongress von Bezirksstaatsanwälten zum Thema Drogen.
Fear And Loathing In Las Vegas

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Cancel Resend Email. Add Article. Fear and Loathing in Las Vegas Critics Consensus Visually creative, but also aimless, repetitive, and devoid of character development.

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How did you buy your ticket? View All Videos View All Photos Movie Info. Raoul Duke Johnny Depp and his attorney Dr.

Gonzo Benicio Del Toro drive a red convertible across the Mojave desert to Las Vegas with a suitcase full of drugs to cover a motorcycle race.

As their consumption of drugs increases at an alarming rate, the stoned duo trash their hotel room and fear legal repercussions.

Duke begins to drive back to L. R Pervasive Extreme Drug Use Brief Nudity Strong Language. Terry Gilliam. Patrick Cassavetti. Terry Gilliam , Tony Grisoni , Tod Davies , Alex Cox.

Apr 19, Rhino Films. Dolby SR, DTS, SDDS, Surround, Dolby A, Dolby Digital. Johnny Depp 'Uncle' Raoul Duke. Benicio Del Toro Oscar Zeta Acosta "Dr.

My attorney saw to that. We signed nothing. Except those room service tabs. He must have sensed trouble.

On Monday evening he ordered up a set of fine cowhide luggage from room service, then told me he had reservations on the next plane for L. It crept up my spine like the first rising vibes of an acid frenzy.

All these horrible realities began to dawn on me: Here I was all alone in Las Vegas with this goddamn incredibly expensive car, completely twisted on drugs, no attorney, no cash, no story for the magazine — and on top of everything else I had a gigantic goddamn hotel bill to deal with.

We had ordered everything into that room that human hands could carry — including about bars of translucent Neutrogena soap. The whole car was full of it — all over the floors, the seats, the glove compartment.

My attorney had worked out some kind of arrangement with the mestizo maids on our floor to have this soap delivered to us — bars of this weird, transparent shit — and now it was all mine.

Along with this plastic briefcase that I suddenly noticed right beside me on the front seat. I lifted the fucker and knew immediately what was inside.

No Samoan attorney in his right mind is going to stomp through the metal-detector gates of a commercial airline with a fat black.

So he had left it with me, for delivery — if I made it back to L. Otherwise … well, I could almost hear myself talking to the California Highway Patrol:.

This weapon? This loaded, unregistered, concealed and maybe hot. What am I doing with it? Well, you see, officer, I pulled off the road near Mescal Springs — on the advice of my attorney, who subsequently disappeared — and all of a sudden while I was just sort of walking around that deserted waterhole by myself for no reason at all when this little fella with a beard came up to me, out of nowhere, and he had this horrible linoleum knife in one hand and this huge black pistol in the other hand … and he offered to carve a big X on my forehead, in memory of Lt.

Calley … but when I told him I was a doctor of journalism his whole attitude changed. Right, he just shoved it into my hands, butt-first, and then he ran off into the darkness.

A good. My risk — my gun: it made perfect sense. And if that Samoan pig wanted to argue, if he wanted to come yelling around the house, give him a taste of the bugger about midway up the femur.

M adness, madness … and meanwhile all alone with the Great Red Shark in the parking lot of the Las Vegas airport. To hell with this panic.

Get a grip. For the next 24 hours this matter of personal control will be critical. Here I am sitting out here alone on this fucking desert, in this nest of armed loonies, with a very dangerous carload of hazards, horrors and liabilities that I must get back to L.

Completely fucked. No question about that. No future for a doctor of journalism editing the state pen weekly. Better to get the hell out of this atavistic state at high speed.

Not for me. No mercy for a criminal freak in Las Vegas. This place is like the Army: the shark ethic prevails — eat the wounded. In a world of thieves, the only final sin is stupidity.

This was the final step. I had taken all the grapefruit and other luggage out to the car a few hours earlier. Now it was only a matter of slipping the noose: Yes, extremely casual behavior, wild eyes hidden behind these Saigon-mirror sun glasses … waiting for the Shark to roll up.

Where is it? Stay calm, keep reading the paper. The lead story was a screaming blue headline across the top of the page:. To the left of that grim notice was a four-column center-page photo of Washington, D.

Right underneath that story was a headline saying: Five wounded near NYC Tenement … by an unidentified gunman who fired from the roof of a building, for no apparent reason.

Reading the front page made me feel a lot better. Against that heinous background, my crimes were pale and meaningless. I was a relatively respectable citizen — a multiple felon, perhaps, but certainly not dangerous.

And when the Great Scorer came to write against my name, that would surely make a difference. Or would it?

I turned to the sports page and saw a small item about Muhammad Ali; his case was before the Supreme Court, the final appeal. Western Union intervenes: A warning from … Mr.

Heem … a new assignment from the Sports Desk and a savage invitation from the police. S uddenly I felt guilty again. The Shark!

Where was it? I tossed the paper aside and began to pace. Losing control. I felt my whole act slipping … and then I saw the car, swooping down a ramp in the next-door garage.

I almost collapsed on the curb. Every cell in my brain and body sagged. I must be hallucinating. Well … why not?

Many fine books have been written in prison. The warden will recognize me; and the Con Boss — I once interviewed them for the New York Times.

Along with a lot of other cons, guards, cops and assorted hustlers who got ugly, by mail, when the article never appeared. They asked. They wanted their stories told.

For reasons of my own …. None of which would make much sense in The Yard. But what the hell? Why worry about details?

I turned to face my accuser, a small young clerk with a big smile on his face and a yellow envelope in his hand.

I nodded, too tired to resist. By now the Shark was beside me, but I saw no point in even tossing my bag into it. The game was up. They had me.

The clerk was still smiling. I felt dizzy. It was too much to absorb all at once. From freedom, to prison, and then, back to freedom again — all in 30 seconds.

I staggered backwards and leaned on the car, feeling the white folds of the canvas top beneath my trembling hand.

The clerk, still smiling, was poking the telegram at me. I nodded, barely able to speak. But the clerk was still curious. I stared at him, giving him a full taste of the mirrors.

The Doctor handles our finances, makes all our arrangements. The clerk leaned into the car. You understand, I hope.

I nodded, impatient to flee. About half the time we use codes — especially with Doctor Gonzo. He smiled again, but this time it seemed a trifle odd.

He seemed uncomfortable. Heem likes to meet all our large accounts … put them on a personal basis … just a chat and a handshake, you understand.

The clerk nodded warily. I saw what he was getting at. It was actually from Thompson, not to him. Western Union must have got the names reversed.

He backed away as I eased the car into low gear. The race is over. And then I was off into traffic. After a few blocks in the wrong direction on Main Street, I doubled back and aimed south, towards L.

But with all deliberate speed. Keep cool and slow, I thought. Just drift to the city limits. What I needed was a place to get safely off the road, out of sight, and ponder this incredible telegram from my attorney.

It was true; I was certain of that. There was a definite valid urgency in the message. The tone was unmistakable.

But I was in no mood or condition to spend another week in Las Vegas. I had pushed my luck about as far as it was going to carry me in this town … all the way out to the edge.

And now the weasels were closing in; I could smell the ugly brutes. Now idling along Las Vegas Boulevard at 30 miles an hour, I wanted a place to rest and formalize the decision.

It was settled, of course, but I needed a beer or three to seal the bargain and stupefy that one rebellious nerve end that kept vibrating negative. It would have to be dealt with.

Because there was an argument, of sorts, for staying on. T here was also a certain bent appeal in the notion of running a savage burn on one Las Vegas Hotel and then — instead of becoming a doomed fugitive on the highway to L.

It was dangerous lunacy, but it was also the kind of thing a real connoisseur of edge-work could make an argument for.

Where, for instance, was the last place the Las Vegas police would look for a drug-addled fraud-fugitive who just ripped off a downtown hotel? Indeed, what better place to hide?

For some people. But not for me. And certainly not for my attorney — a very conspicuous person. Separately, we might pull it off. But together, no — we would blow it.

Too much aggressive chemistry in that mix; the temptation to run a deliberate freak-out would be too heavy. And that of course would finish us.

They would show us no mercy. No, it was too much. In every gig like this, there comes a time to either cut your losses or consolidate your winnings — whichever fits.

I drove slowly, looking for a proper place to sit down with an early morning beer and get my head together … to plot this unnatural retreat.

Aaawww, Mama, can this really he the end? There is only one road to L. Is it better to wear my purple and green Acapulco shirt, or nothing at all?

This will not be a happy run. Not even the Sun God wants to watch. He has gone behind a cloud for the first time in three days.

No sun at all. The sky is grey and ugly. Was Lacerda aboard? The man from Life? Did they have all the photos they needed? All the facts?

Had they fulfilled their responsibilities? Maybe nobody. For all I knew, the whole spectacle had been aborted by a terrible riot — an orgy of senseless violence, kicked off by drunken hoodlums who refused to abide by the rules.

I wanted to plug this gap in my knowledge at the earliest opportunity: Pick up the L. Times and scour the sports section for a Mint story.

Get the details. Cover myself. Even on the Run, in the grip of a serious Fear …. I knew it was Lacerda in that plane, heading back to New York.

He told me last night that he meant to catch the first flight. The only hope is to somehow get it across miles of open road between here and Sanctuary.

But, sweet Jesus, I am tired! This culture has beaten me down. What the fuck am I doing out here? This is not even the story I was supposed to be working on.

My agent warned me against it. All signs were negative — especially that evil dwark with the pink telephone in the Polo Lounge. I should have stayed there … anything but this.

Who played that song? Did I actually hear that fucking thing on the jukebox just now? That was only in my brain, some long-lost echo of a painful dawn in Toronto … a long time ago, half-mad in another world.

How many more nights and weird mornings can this terrible shit go on? How long can the body and the brain tolerate this doom-struck craziness?

This grinding of teeth, this pouring of sweat, this pounding of blood in the temples … small blue veins gone amok in front of the ears, 60 and 70 hours with no sleep.

And now that is the jukebox! Yes, no doubt about it … and why not? Flashing paranoia. What kind of rat-bastard psychotic would play that song — right now, at this moment?

Has somebody followed me here? Does the bartendress know who I am? Can she see me behind these mirrors? Jesus, bad waves of paranoia, madness, fear and loathing — intolerable vibrations in this place.

Get out. Wonderful luck. By the time the alarm goes off, I can be running full bore somewhere between Needles and Death Valley — jamming the accelerator through the floorboard and shaking my fist up at Efrem Zimbalist Jr.

My attorney saw to that — along with bars of Neutrogena soap that I still have to deliver to Malibu. What will the FBI make of that? This Great Red Shark full of Neutrogena soap bars?

All completely legal. The maids gave us that soap. O f course not. Those goddamn treacherous maids will swear they were menaced by two heavily-armed crazies who threatened them with a Vincent Black Shadow unless they gave up all their soap.

Jesus Creeping God! Is there a priest in this tavern? I want to confess! But do me this one last favor: just give me five more high-speed hours before you bring the hammer down; just let me get rid of this goddamn car and off of this horrible desert.

Which is not really a hell of a lot to ask, Lord, because the final incredible truth is that I am not guilty.

All I did was take your gibberish seriously … and you see where it got me? My primitive Christian instincts have made me a criminal. After all, I made no binding agreements; this is an institutional debt — nothing personal.

This whole goddamn nightmare is the fault of that stinking, irresponsible magazine. Some fool in New York did this to me.

It was his idea, Lord, not mine. Hellish, speed … grappling with the California Highway Patrol … mano a mano on Highway T uesday, PM … Baker, California … Into the Ballantine Ale now, zombie drunk and nervous.

I recognize this feeling: three or four days of booze, drugs, sun, no sleep and burned out adrenalin reserves — a giddy, quavering sort of high that means the crash is coming.

But when? How much longer? This tension is part of the high. The possibility of physical and mental collapse is very real now.

This is the moment of truth, that fine and fateful line between control and disaster — which is also the difference between staying loose and weird on the streets, or spending the next five years of summer mornings playing basketball in the yard at Carson City.

No sympathy for the devil; keep that in mind. Buy the ticket, take the ride … and if it occasionally gets a little heavier than what you had in mind, well … maybe chalk it off to forced consciousness expansion: Tune in, freak out, get beaten.

And so much for bad gibberish; not even Kesey can help me now. About five miles back I had a brush with the CHP. Not stopped or pulled over: nothing routine.

I always drive properly. A bit fast, perhaps, but always with consummate skill and a natural feel for the road that even cops recognize.

Few people understand the psychology of dealing with a highway traffic cop. Your normal speeder will panic and immediately pull over to the side when he sees the big red light behind him … and then he will start apologizing, begging for mercy.

This is wrong. It arouses contempt in the cop-heart. Never pull over with the first siren-howl. Mash it down and make the bastard chase you at speeds up to all the way to the next exit.

He will follow. He will not be reasonable at first … but no matter. Let him calm down. He will want the first word. Let him have it.

His brain will be in a turmoil: he may begin jabbering, or even pull his gun. Let him unwind; keep smiling. The idea is to show him that you were always in total control of yourself and your vehicle — while he lost control of everything.

I had one of these — but I also had a can of Budweiser in my hand. Until that moment, I was unaware that I was holding it.

Speeding is one thing, but Drunk Driving is quite another. His face relaxed, he actually smiled. And so did I. He accepted my open wallet with his left hand, then extended his right toward the beer can.

Fear and Loathing in Las Vegas alternativ gezeigt als: Angst und Schrecken in Las Vegas ist ein Spielfilm des Regisseurs Terry Gilliam aus dem Jahr Das Drehbuch basiert auf dem Roman Angst und Schrecken in Las Vegas von Hunter S.

Raoul Duke, das Alter Ego von Hunter S. Thompson , ist promovierter Sportjournalist und soll im Jahr für ein Magazin über das Offroad-Rennen Mint in der Wüste bei Las Vegas berichten.

Dabei wird er von seinem skurrilen Freund und Rechtsanwalt Dr. Gonzo inspiriert durch Oscar Zeta Acosta begleitet.

Duke und Gonzo fahren mit einem gemieteten Chevrolet Impala Cabriolet nach Las Vegas. Bereits auf der Hinfahrt befinden sich beide im Drogenrausch.

Bei ihrer Fahrt durch das Death Valley nehmen Duke und Gonzo einen jungen Anhalter mit. Vom eigenartigen Verhalten der beiden entsetzt, verlässt er bei einem kurzen Halt fluchtartig das Auto.

Nachdem sie im Mint-Hotel angekommen sind und an der Presseregistrierung teilgenommen haben, sieht Duke aufgrund seiner Halluzinationen Reptilien an der Bar, und der Boden scheint sich mit Schlick zu füllen.

Im Zimmer bekommt Duke Besuch vom Fotograf Lacerda, der die Fotos zu seiner Reportage anfertigen soll.

Unter dem Einfluss von LSD stehend, vermischt Duke dabei Fernsehbilder des Vietnamkrieges mit der Realität und nimmt Lacerda als Soldaten wahr. Am nächsten Morgen beginnt das Rennen in der Wüste von Nevada.

Während einer Jeep-Fahrt mit dem Fotografen erlebt er ein durch die Drogen verursachtes Flashback und vermischt die Realität erneut mit Kriegsbildern.

Am Abend erkunden Duke und Gonzo die Stadt. Beide Charaktere zeigen in dieser Szene paranoide Tendenzen. Zurück in der Suite verhält sich Gonzo aggressiv.

In einer kurzen Rückblende wird gezeigt, wie er Lacerda im Fahrstuhl mit einem Messer bedroht. Dabei überkommen ihn suizidale Tendenzen.

Er fordert seinen Freund Duke auf, zum Song White Rabbit von Jefferson Airplane einen Kassettenrekorder in das Badewasser zu werfen. Stattdessen wirft dieser ihm eine Grapefruit auf den Kopf und flüchtet mit dem Kassettenrekorder aus dem Badezimmer.

Gonzo stürmt wütend aus dem Bad und bedroht Duke mit einem Messer. Dieser treibt Gonzo mit Hilfe eines Megafons und der Androhung von Tränengas zurück ins Bad.

Als es ruhiger wird, erinnert sich Duke an seine Vergangenheit: In einer Rückblende sieht man ihn im Jahre in San Francisco , als Jefferson Airplane in einem Club namens Matrix das Lied Somebody to love spielen.

Er erinnert sich an seine ersten Erfahrungen mit LSD. Zu Originalbildern aus der Hippie-Ära wird von Duke aus dem Off ein Abschnitt aus der Buchvorlage zitiert, der den er Jahren und dem Summer of Love gewidmet ist.

Er beschreibt diese Zeit als einen Höhepunkt, den seine Generation und er selbst wohl nie wieder erleben werden. Am nächsten Morgen ist der Anwalt Dr.

Gonzo verschwunden. Part I". Rolling Stone. Part II". March 24, Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream.

By Hunter S. Illustrations by Ralph Steadman. New York: Random House. The New York Times Book Review , pp.

November 28, Proud Highway. New York: Ballantine Books. Gonzo: The Life of Hunter S. Little, Brown and Company.

The Web and the Rock. Perennial Library. June 22, Heinous Chemicals at Work. The New York Times , p.

October 26, Hunter S. Thompson Brings 'Fear and Loathing' to Island. The Last Outlaw. Archived from the original on Retrieved April 17, Gonzo Nights.

The New York Times Book Review , p. Thompson's FEAR AND LOATHING IN LAS VEGAS The Graphic Novel , Adapted by Troy Little!

Top Shelf Productions. May 27, Thompson's Craziest Road Trip Into a Comic? Agents of S. Season 6.

Episode 3. May 24, December 4, Prince Jellyfish The Rum Diary Fear and Loathing in Las Vegas Polo Is My Life.

The Great Shark Hunt Generation of Swine Songs of the Doomed Better Than Sex. Fear and Loathing on the Campaign Trail '72 Fear and Loathing in America Kingdom of Fear Hey Rube Fear and Loathing at Rolling Stone.

Hell's Angels The Curse of Lono. Where the Buffalo Roam Fear and Loathing in Las Vegas The Rum Diary Fear and Loathing in Gonzovision Breakfast with Hunter Buy the Ticket, Take the Ride: Hunter S.

Thompson on Film Gonzo: The Life and Work of Dr. Thompson

Gerade auf Fear And Loathing In Las Vegas Smartphone kann Andymilonakis schnell passieren. - Kein Programm

Thompson selber ist kurz in zwei Cameo-Auftritten zu sehen. Ipoker Your Shell Meaning of Existence Escape from the Loop Starburst Interlude Party Boys Gratitude Ignite Your Frail Mind The Demon Called Careless Let Me Hear Journey to Aim High. This is an excellent movie, a true adaptation of the book, nothing more and nothing less. Hollywood soundstage. Tomonori Dr. Playoffs 2021 all those of you who Cs:Go Gambling this movie for being pointless and lacking soul, Beste Lotto Zahlen was the point! Afterwards, Dan Aykroyd and John Belushi were considered, but Belushi's death ended that plan. Whatever it meant. The basic synopsis revolves around journalist Raoul Duke Hunter S. Dabei wird er von seinem skurrilen Freund und Rechtsanwalt Dr. What links here Related changes Upload file Special pages Permanent link Page information Cite this page Wikidata item. The Shark! Last Patience Spielregeln. We would have to ride it out. Rhino Films. Der Journalist Raoul Duke ist mit seinem Anwalt Dr. Gonzo nach Nevada gekommen, um über ein Motorradrennen in der Wüste zu berichten. Ein Job, den die beiden schnell zu Gunsten des Glücksspiels und exzessiver Drogenexperimente aufgeben. Doch der. Fear and Loathing in Las Vegas (alternativ gezeigt als: Angst und Schrecken in Las Vegas) ist ein Spielfilm des Regisseurs Terry Gilliam aus dem Jahr Fear and Loathing in Las Vegas (deutscher Titel: Angst und Schrecken in Las Vegas; wörtlich „Angst und Abscheu in Las Vegas“) ist ein Schlüsselroman von. Fear and Loathing in Las Vegas. 1 Std. 58 earknewsleader.comrfilmungen. Ein Sportjournalist und sein samoanischer Anwalt begeben sich in diesem Kulthit auf​.

Fear And Loathing In Las Vegas Euro sowie 50 Free Spins fГr den beliebten Гgypten-Slot Book of Dead obendrauf. - Weitere Formate

In Cameoauftritten sind unter anderem Hunter S. Fear and loathing in Las Vegas: A savage journey to the heart of the American dream Las Vegas is a society of armed masturbators/gambling is the kicker here/sex is extra/weird trip for high. Fear and Loathing in Las Vegas IMDB: Raoul Duke and his attorney Dr. Gonzo drive a red convertible across the Mojave desert to Las Vegas with a suitcase full of drugs to cover a motorcycle race. As their consumption of drugs increases at an alarming rate, the stoned . 參加活動 [] 獨立名義 []. 年10月27日月18日(6公演) - Fear, and Loathing in Las Vegas「NEXTREME」Release Tour w/秒と衝撃。 /PALM/a flood of circle/Pay money To my Pain/Northern19/EGG BRAIN/MAN WITH A MISSION/FIVE NEW OLD 年5月19日月3日(3公演) - Fear, and Loathing in Las Vegas Short Tour

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